“A bill that would require craft brewers to sell their suds to a beer distributor and make them buy it back to sell at their own breweries has cleared a Senate panel.
The measure (SB 1714) has so infuriated craft brewers and beer enthusiasts that some on Twitter have christened it with the hashtag “#growlergate.” The Community Affairs committee approved the bill Tuesday.
Sen. Jack Latvala, R-Clearwater, was so incensed at the idea of craft brewers having to pay someone else to sell their own product that he likened it to a mobbed-up racket. Latvala has championed the microbrewery cause.
The requirement is similar to paying “protection to ‘Vinnie’ in New York,” he said.
The bill also is favored by the Big Beer lobby, which is feeling the heat from craft beer’s competition.”—
“The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it’s only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think, the way they see themselves, the way they see the world — you can change the way people live their lives. That’s the only lasting thing you can create.”—Chuck Palahniuk, Choke (via wilwheaton)
A monument marks the place where the Roman dictator died.
This is the monumental complex in Torre Argentina (Rome), where Julius Caesar was stabbed.
Credit: Antonio Monterroso/CSIC
Archaeologists believe they have found the first physical evidence of the spot where Julius Caesar died, according to a new Spanish National Research Council report.
Caesar, the head of the Roman Republic, was stabbed to death by a group of rival Roman senators on March 15, 44 B.C, the Ides of March. The assassination is well-covered in classical texts, but until now, researchers had no archaeological evidence of the place where it happened.
Now, archaeologists have unearthed a concrete structure nearly 10 feet wide and 6.5 feet tall (3 meters by 2 meters) that may have been erected by Caesar’s successor to condemn the assassination. The structure is at the base of the Curia, or Theater, of Pompey, the spot where classical writers reported the stabbing took place.
"We always knew that Julius Caesar was killed in the Curia of Pompey on March 15th 44 B.C. because the classical texts pass on so, but so far no material evidence of this fact, so often depicted in historicist painting and cinema, had been recovered,” Antonio Monterroso, a researcher at the Spanish National Research Council, said in a statement.
Classical texts also say that years after the assassination, the Curia was closed and turned into a memorial chapel for Caesar. The researchers are studying this building along with another monument in the same complex, the Portico of the Hundred Columns, or Hecatostylon; they are looking for links between the archaeology of the assassination and what has been portrayed in art.
"It is very attractive, in a civic and citizen sense, that thousands of people today take the bus and the tram right next to the place where Julius Caesar was stabbed 2,056 years ago," Monterroso said.
“It would have taken an act of willing denial to miss the fact that, in an age where the guitar hero has become something of a rarity, a thirty-one-year-old woman was shredding. Clark’s solos are marvels of tone and feeling, eruptions that explode her beloved grids.”—Sasha Frere-Jones on St. Vincent: http://nyr.kr/1hanV6F (via newyorker)
“His eyes seemed to be popping out if his head. He wasn’t certain if this was because they were trying to see more clearly, or if they simply wanted to leave at this point.”—Douglas Adams, Life The Universe And Everything (via daily-douglas-adams-quote)